One of the lineage of Chaesang-sogonorum in Honam Woodo nong-ak comes from the dead Baek, Nam-yoon, who was a master of Woodo-Chaesang-sogonorum. The lineage was made up by the influence of the key leading gong-players such as Kim, Do-sam, Kim, Ba-woo, and Kim, Kwang-rye. It was built in the process of the creative union of the culture between Chaesang-sogonorum in Honam Jwado Nong-ak and Sangmo-norem in Honam Woodo Nong-ak. The characteristics of shape of Sogo in Chaesang-sogonorum in Honam Woodo Nong-ak is shown in the angle between Jinja and Jeokja, the length of Moolchae and Saengpijee which are attached to the back of Jinja. The characteristics of shape in Chaesang-sogonorum in Honam Woodo Nong-ak is shown in the fact that Chaesang/Sangmo was placed in more front area than that in Jwado, in a curve which appeared in the performance of the long Saengpijee, in a variety of shape of playing and Chumsawee/dancing shape which come from the large angle between Jeokja and Jinja, and in the aesthetics of the eloquently feminine curve beauty which is made by the forth-mentioning conditions and characteristics. The lineage of Chaesang-sogonorum in Honam Woodo Nong-ak is transmitted today in concrete ways by Huh, Young-wook in Jeon-ju Nong-ak.